THE UNRAVELING END CULTURAL MANIFESTO
Art springs from an interior dialog
to become thinking in motion that generates change. We participate in these
dynamics by becoming mindful weavers of a web that will know how to restore
dignity and freedom to a culture mired down in narcissism, cliques and self
celebration. Our values are creative awakening, authenticity, involvement and aggregation,
with the desire to break down the barriers and the patterns imprisoning culture
and art circuits, fouled by social climbing and a mistaken concept of cultural
professionalism. Art is first and foremost vocation. Our intent is to support
and promote initiatives that will give new vigor and momentum to the creative
work, allowing the ideas that spring from every cultural gesture to develop in
a truth that is removed from any mystification. We want to cultivate a thinking
that will make authentic universal values bloom in the fascinating but
regretfully arid contemporary world. Where art comes together, there’s a
message of peace. Today we witness the sad show of the scattering of cultural
and artistic events, due to the artist’s narcissism and the deplorable mindset
of tending one’s own garden and not enriching oneself by team work. What contemporary
culture lacks is sense of Community, of living together, of participation,
despite the abnormal extension of communication and its horizons.
It all explicates on a superficial
level, and this dispersion restricts knowledge.
Instead of spreading the thinking
brewing among us, it’s the thinking
contained in commercial products
that is divulged. The new art, which exists but is neutralized by this grim
system, which creates ever more scattering and does not support the work in its
being communication tool, is rarely divulged.
It’s easy to neutralize art: you
can do it with a mirror for larks! The means to propagate art are hardly more
than receptacles for egotism, and much too often the circulation is reserved
for those who pay more, rather than to those who deserve it. It is easy to
satisfy the ego, the desire to come out on top, to make one’s voice be heard.
That is why quality artworks is often swimming in a sea of mediocrity that
makes them invisible. By paying, can be obtained a
service suited to satisfy the
author, not a service that will propagate artwork.
It is hard to promote artistic
products: to do it, you need guts. Operators must offer values: the value of
discovery, the value of circulation, the value of the care for the product, the
value of the encounter and the value of coming together. Whether it is a
publisher, a bookseller, a cultural gathering, an art gallery, a theater, a
literary award … whatever us artists turn to must offer value, it must not
merely be a Narcissus mirror.
The artist’s worst enemy is the
ego, and it would be gullible to think that substituting I with Us suffices to
reach universality, the latter not to be understood in a purely globalizing and
extensive sense. It is possible to overcome individualism by recognizing and
embracing the deepest level of subjectivity. One thing is the Ego, another is
the Self.
The contemporary world is
devastated by an improper and arid grouping concept that compels to live
superficially. Uniformity is the symptom of absence of depth. That erroneous
propaganda which deviously pushes to misinterpret the inner dig, the search for
oneself, the self analysis, labeling it as intimism, as exclusion of the other,
as withdrawing of the ego in itself.
It is essential for the individual
to start thinking no more as a monad, but as a community. Art is communion, is
exchange, is dialog that takes place deep down. It is there, where universal
values can be found, whilst we tend to mistake universal with general consent.
Art does not speak to all, turning them into a mass, but to the heart of each
one. It is not a political or advertising message, but a revelation of the
sense, or one of the senses, of life. It truly addresses the other, with the
awareness that the other is first of all a consciencial dimension of the self.
If dispersion is the result of a
boorish system ruling the world of art, then at least we need to try to find
aggregation, to find cohesion, to try and gather into one or more basins, the
creative individuals who want to exit the usual
contemporary art and culture
circulation model. All of this in the attempt of guiding an ever larger public
towards a higher quality cultural product.
By coming together, sharing,
uniting and exchanging opinions, we will be able to give art its proper dimension
and bridge the huge gaps of this system. The Power is how we want it, because
money is at the service of the mind, whereas the contrary is not true. Is then
up to us – individually, to each one of us – to try to change direction, and
creative souls, in this scenario, have a huge responsibility.The arts are
thinking training grounds, creativity laboratories, and we must treat them as
such.
Claudio Fiorentini
Franco
Campegiani
Maria
Rizzi
Nazario
Pardini
Andrea
Mariotti
Marco
Mastrilli
Loredana
D’Alfonso
Patrizio
De Magistris
Valeria
Bellobono
Pio
Ciuffarella
Massimo
Chiacchiararelli
Sandro
Angelucci
Laila
Scorcelletti
Ninnj
Di Stefano Busà
Associazione
Culturale Polmone Pulsante
Roberto
Guerrini
Deborah
Coron
Simona
Simoncioli
Sonia
Giovannetti
Roberto
De Luca
Luca
Giordano
Paolo
Buzzacconi
Gabriella
Di Francesco
Fabrizia
Sgarra
Roberto
Mestrone
Angiolina
Bosco
Pasquale
Balestriere
Umberto
Cerio
Umberto
Vicaretti
Francesco
Dettori
Valentina
Vinogradova
Claudine
Jolliet
Andrea
Marchetti
Mauro
Montacchiesi
Patrizia
Bruggi
Diego
Romeo
Camilla
Migliori
Alberto
CanforaAngelo Sagnelli
Patrizia
Stefanelli
Ester
Cecere
Orsola
Fortunato
Adriana
Pedicini
Giovanna
Repetto
Alfonso
Angrisani
Concezio
Salvi
Lorella
Crivellaro
Maurizio
Navarra
Aurora
De Luca
Emilio
Anselmi
Mario
Prontera
Angelo
Mancini
Gianpaolo
Berto
Dario
Puntuale
Umberto
Messia
Roberto
Nizzoli
Patrizia
Poli
Maria
Vittoria Masserotti
Michela
Zanarella
Roberto Furcillo
Roberto Furcillo
Giovanni Bergamini
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